article

Abstract

The US communist or socialist fright began in the late 1800s, the moment when blue-collar workers stood up in opposition to get their fundamental integrity, remuneration betterment etc., and the attainment of such integrities from intercontinental supremacies, and to have remained in opposition to such economical way of mechanism. The fears of communism and their followers of anti-harmony to US community were seen among the structural class systems of ethnic interconnectedness. The elementary struggle is related to the portrayal of Communism and their followers in Hollywood productions. It relates to exacerbating negatively frame about their ideological depictions, communist countries and the individuals interlinked with it.

Authors

1-Abida Noureen
Assistant Professor, Department of Media Studies, The Islamia University of Bahawalpur, Punjab, Pakistan.

2-Tanveer Hussain
Assistant Professor, School of media and communication studies, UMT, Lahore, Punjab, Pakistan.

3-Haseeb Ur Rehman Warrich
Assistant Professor, Department of Arts & Media, Foundation University Islamabad, Rawalpindi Campus, Rawalpindi, Punjab, Pakistan.

Keywords

Hollywood, Ideology, Propaganda, Communism, Social Constructivism.

DOI Number

10.31703/gmcr.2020(V-I).01

Page Nos

1-14

Volume & Issue

V - I