Abstract
The US communist or socialist fright began in the late
1800s, the moment when blue-collar workers stood up in opposition to
get their fundamental integrity, remuneration betterment etc., and the
attainment of such integrities from intercontinental supremacies, and
to have remained in opposition to such economical way of mechanism.
The fears of communism and their followers of anti-harmony to US
community were seen among the structural class systems of ethnic
interconnectedness. The elementary struggle is related to the portrayal
of Communism and their followers in Hollywood productions. It
relates to exacerbating negatively frame about their ideological
depictions, communist countries and the individuals interlinked with
it.
Authors
1-Abida Noureen Assistant Professor, Department of Media Studies, The Islamia University of Bahawalpur, Punjab, Pakistan.2-Tanveer HussainAssistant Professor, School of media and communication studies, UMT, Lahore, Punjab, Pakistan.3-Haseeb Ur Rehman WarrichAssistant Professor, Department of Arts & Media, Foundation University Islamabad, Rawalpindi Campus, Rawalpindi, Punjab, Pakistan.
Keywords
Hollywood, Ideology, Propaganda, Communism, Social Constructivism.
DOI Number
10.31703/gmcr.2020(V-I).01
Page Nos
1-14
Volume & Issue
V - I