HOLLYWOOD INTERPRETATIVE OVERVIEW ON COMMUNISM AN ANALYSIS OF PRE DURING POST COLD WAR ERA

http://dx.doi.org/10.31703/gmcr.2020(V-I).01      10.31703/gmcr.2020(V-I).01      Published : Mar 2020
Authored by : Abida Noureen , Tanveer Hussain , Haseeb Ur Rehman Warrich

01 Pages : 1-14

References

  • An American Rhapsody. (2001). Film. Hollywood: Eve Gardos
  • Cole, R. (Ed.) (1998). The Encyclopedia of Propaganda V.1. New York: M.E. Sharpe.
  • Edwards, P. (1997). A guide to films on the Korean war. New York [u.a.]: Greenwood Pr.
  • Good Night, And Good Luck. (2005). Film. Hollywood: George Clooney.
  • Guilty by Suspicion. (1991). Film. Hollywood: Irwin Winkler.
  • Heaven Help Us. (1985). Film. Hollywood: Michael Dinner.
  • Hendershot, C. (2003). Anti-communism and popular culture in mid-century America. Jefferson, N.C.: McFarland.
  • Indiana Jones and the Kingdom of the Crystal Skull. (2008). Film. Hollywood: Steven Spielberg.
  • Invasion U.S.A. (1985). Film. Hollywood: Joseph Zito.
  • Jackson, R., & Sørensen, G. (2003). Introduction to international relations. Oxford: Oxford University Press.
  • Jowerr, G. S., & O'Donnell, V. (1999). Propaganda and Persuasion (3rd Ed.). Thousand Oaks, CA: Sage
  • Miracle 2004 Gavin O'Connor. (2004). Film. Hollywood: Gavin O'Connor.
  • Neuman, WL. (2007) The Basics of Qualitative and Quantitative Approaches. 2nd edition. Boston: Pearson Education, Inc.
  • Neuman, WL. (1997). Social research methods: Qualitative and Quantitative approaches. 3rd edition. Boston: Allyn and Bacon.
  • Neuman, WL. (2003). Social research methods: Qualitative and Quantitative approaches. 5th edition. Boston: Allyn and Bacon.
  • No Way Out. (1987). Film. Hollywood: Roger Donaldson.
  • Red Dawn. (1984). Film. Hollywood: John Milius.
  • Salt. (2010). Film. Hollywood: Phillip Noyce.
  • Salvador. (1986). Film. Hollywood: Oliver Stone.
  • Shaw, T., & Youngblood, D. (2010). Cinematic Cold War (pp. 20-21). Lawrence: University Press of Kansas.
  • Spy Game. (2001). Film. Hollywood: Tony Scot.
  • Strobel, W. (1997). Late-Breaking Foreign Policy: The News Media's influence on peace operations. Washington D.C.: United States Institute of Peace Press
  • Taylor, P. (1992). War and the Media: Propaganda and Persuasion in Gulf War. Manchester: Manchester University Press
  • Taylor, P. (1995). War and the Media: Propaganda and Persuasion in Gulf War. Manchester: Manchester University Press
  • Team America: World Police. (2004). Film. Hollywood: Trey Parker.
  • The Deer Hunter. (1978). Film. Hollywood: Michael Cimino.
  • The Hunt for Red October. (1990). Film. Hollywood: John McTiernan
  • The Majestic. (2001). Film. Hollywood: Frank Darabont.
  • The Quite American. (2002). Film. Hollywood: Philip Noyce.
  • Tinker Tailor Soldier Spy. (2011). Film. Hollywood: Tomas Alfredson.
  • Totman, S. (2009). How Hollywood Projects Foreign Policy. New York: Palgrave Macmillan
  • Vanhala, H. (2011). The depiction of terrorists in blockbuster Hollywood films, 1980-2001. Jefferson, N.C.: McFarland & Company, Inc., Publisher
  • White Nights. (1985). Film. Hollywood: Taylor Hackford.
  • An American Rhapsody. (2001). Film. Hollywood: Eve Gardos
  • Cole, R. (Ed.) (1998). The Encyclopedia of Propaganda V.1. New York: M.E. Sharpe.
  • Edwards, P. (1997). A guide to films on the Korean war. New York [u.a.]: Greenwood Pr.
  • Good Night, And Good Luck. (2005). Film. Hollywood: George Clooney.
  • Guilty by Suspicion. (1991). Film. Hollywood: Irwin Winkler.
  • Heaven Help Us. (1985). Film. Hollywood: Michael Dinner.
  • Hendershot, C. (2003). Anti-communism and popular culture in mid-century America. Jefferson, N.C.: McFarland.
  • Indiana Jones and the Kingdom of the Crystal Skull. (2008). Film. Hollywood: Steven Spielberg.
  • Invasion U.S.A. (1985). Film. Hollywood: Joseph Zito.
  • Jackson, R., & Sørensen, G. (2003). Introduction to international relations. Oxford: Oxford University Press.
  • Jowerr, G. S., & O'Donnell, V. (1999). Propaganda and Persuasion (3rd Ed.). Thousand Oaks, CA: Sage
  • Miracle 2004 Gavin O'Connor. (2004). Film. Hollywood: Gavin O'Connor.
  • Neuman, WL. (2007) The Basics of Qualitative and Quantitative Approaches. 2nd edition. Boston: Pearson Education, Inc.
  • Neuman, WL. (1997). Social research methods: Qualitative and Quantitative approaches. 3rd edition. Boston: Allyn and Bacon.
  • Neuman, WL. (2003). Social research methods: Qualitative and Quantitative approaches. 5th edition. Boston: Allyn and Bacon.
  • No Way Out. (1987). Film. Hollywood: Roger Donaldson.
  • Red Dawn. (1984). Film. Hollywood: John Milius.
  • Salt. (2010). Film. Hollywood: Phillip Noyce.
  • Salvador. (1986). Film. Hollywood: Oliver Stone.
  • Shaw, T., & Youngblood, D. (2010). Cinematic Cold War (pp. 20-21). Lawrence: University Press of Kansas.
  • Spy Game. (2001). Film. Hollywood: Tony Scot.
  • Strobel, W. (1997). Late-Breaking Foreign Policy: The News Media's influence on peace operations. Washington D.C.: United States Institute of Peace Press
  • Taylor, P. (1992). War and the Media: Propaganda and Persuasion in Gulf War. Manchester: Manchester University Press
  • Taylor, P. (1995). War and the Media: Propaganda and Persuasion in Gulf War. Manchester: Manchester University Press
  • Team America: World Police. (2004). Film. Hollywood: Trey Parker.
  • The Deer Hunter. (1978). Film. Hollywood: Michael Cimino.
  • The Hunt for Red October. (1990). Film. Hollywood: John McTiernan
  • The Majestic. (2001). Film. Hollywood: Frank Darabont.
  • The Quite American. (2002). Film. Hollywood: Philip Noyce.
  • Tinker Tailor Soldier Spy. (2011). Film. Hollywood: Tomas Alfredson.
  • Totman, S. (2009). How Hollywood Projects Foreign Policy. New York: Palgrave Macmillan
  • Vanhala, H. (2011). The depiction of terrorists in blockbuster Hollywood films, 1980-2001. Jefferson, N.C.: McFarland & Company, Inc., Publisher
  • White Nights. (1985). Film. Hollywood: Taylor Hackford.

Cite this article

    APA : Noureen, A., Hussain, T., & Warrich, H. U. R. (2020). Hollywood Interpretative Overview on Communism: An Analysis of Pre, During & Post-Cold War Era. Global Mass Communication Review, V(I), 1-14. https://doi.org/10.31703/gmcr.2020(V-I).01
    CHICAGO : Noureen, Abida, Tanveer Hussain, and Haseeb Ur Rehman Warrich. 2020. "Hollywood Interpretative Overview on Communism: An Analysis of Pre, During & Post-Cold War Era." Global Mass Communication Review, V (I): 1-14 doi: 10.31703/gmcr.2020(V-I).01
    HARVARD : NOUREEN, A., HUSSAIN, T. & WARRICH, H. U. R. 2020. Hollywood Interpretative Overview on Communism: An Analysis of Pre, During & Post-Cold War Era. Global Mass Communication Review, V, 1-14.
    MHRA : Noureen, Abida, Tanveer Hussain, and Haseeb Ur Rehman Warrich. 2020. "Hollywood Interpretative Overview on Communism: An Analysis of Pre, During & Post-Cold War Era." Global Mass Communication Review, V: 1-14
    MLA : Noureen, Abida, Tanveer Hussain, and Haseeb Ur Rehman Warrich. "Hollywood Interpretative Overview on Communism: An Analysis of Pre, During & Post-Cold War Era." Global Mass Communication Review, V.I (2020): 1-14 Print.
    OXFORD : Noureen, Abida, Hussain, Tanveer, and Warrich, Haseeb Ur Rehman (2020), "Hollywood Interpretative Overview on Communism: An Analysis of Pre, During & Post-Cold War Era", Global Mass Communication Review, V (I), 1-14
    TURABIAN : Noureen, Abida, Tanveer Hussain, and Haseeb Ur Rehman Warrich. "Hollywood Interpretative Overview on Communism: An Analysis of Pre, During & Post-Cold War Era." Global Mass Communication Review V, no. I (2020): 1-14. https://doi.org/10.31703/gmcr.2020(V-I).01